Conduit

I recently read an obituary in the New York Times for photographer Steve Schapiro, who died on January 15th, 2022, at the age of 87. Cause of death: cancer. Schapiro was famous for many photographs, mainly of Hollywood celebrities and the Civil Rights Movement. The photos are stunning, there’s no doubt about that. Seeing a master at work always encourages me and in some ways like quenching a thirst. What I connected with the most in the article, though, after seeing powerful image after powerful image, was not a photograph. It was a quote. When Schapiro was lauded for his famous photographs of David Bowie, he shrugged it off, saying “I was merely the conduit from genius into the light of day.”

David Bowie by Steve Schapiro

This idea of conductivity resonated deeply with me. It’s humbling. I started to think about it more. I realized the photos I like of mine are ones where I know that it wasn’t just me deciding what happened. It was when I was able to channel what was happening. To collaborate. It feels like magic. Remove the person in front of the camera from the equation and it is not the same, the meaning changes. Remove me, however, and there is still a universe where the person is sitting in that position with the light hanging around them in the same way, casting just the same shadows on their face. Even if in this one I’ve had to tell them to do it, who’s to say they wouldn’t have done the same or better the next day? When I take photographs I’m constantly in a state of wonder. Sometimes I just kiss my hand and throw it up to the sky, thinking, “Where the hell did that photo even come from?” Even when I’ve planned it out, I can’t say it is all me.

Xiadani as I was practicing with lighting

Sav during backdrop practice

To share the news with you all (Does this blog even function that way?), I am delighted to say I will be continuing my Bodies Project. The Bodies Project was something I started in 2019. It went like this. I’d invite people over and create stills of them as they undressed. At the same time, I’d interview them about their relationships with their bodies. I’m transcribing interviews, with the help of my partner, and compiling the images and interviews into a selection of zines. The first zine is done now and will be released soon with the permission of the participants.

I’m sad I let it go for so long, but that’s a pandemic for you.

Nick during a Bodies Project session

The bottom line is I’ve begun shooting this project again. I’m practicing conductivity. If you are interested in participating, please email me.

Star Treatment

I made these photos of Camille because she is effervescent, a constant in my life, arcing bright white streaks through my mind like a comet. Camille in white, Camille draped over a chair, Camille wearing a headdress of pearls, Camille in the stars. I spent more than a few hours cutting these stars out of silver paper using a stencil which I also made. I then secured them using tape and some fishing line to my ceiling and this lovely piece of dark purple fabric which I found at a store for repurposed craft supplies.

Cassiopeia was a favorite constellation growing up, being one of the few with what my twelve-year-old mind understood was sex appeal. Cassiopeia was a queen in Aethiopia, and mother to the Aethiopian princess Andromeda. She was beautiful but also very vain. She claimed that she and Andromeda were more beautiful than the Nereids (ocean nymphs, and daughters of Poseidon). Poseidon grew angry at this and sent a huge wave to flood the country. Cassiopeia then decided (along with her husband, let’s not forget) to sacrifice Andromeda to the sea by chaining her to a rock. Andromeda did not end up becoming a sacrifice, due to Perseus’ rescue. Poseidon still thought Cassiopeia deserved punishment after being foiled, tied her to a chair, and flung her up among the stars. For half the year, the constellation (which looks like an “M” or a “W”) hangs upside down in the sky as part of her punishment.

Lately, I’ve been thinking about this series and what it means to me. My partner suggested that I read “Why I Write” by George Orwell. It was a decent essay, though I liked the response by Joan Didion better. Orwell listed four main reasons people write: sheer egoism, aesthetic enthusiasm, historical impulse, and political purpose. As soon as I read the paragraph about aesthetic enthusiasm, my pulse lept. Orwell described this as

“Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed. The aesthetic motive is very feeble in many writers, but even a pamphleteer or writer of textbooks will have pet words and phrases that appeal to him for non-utilitarian reasons; or he may feel strongly about typography, width of margins, etc. Above the level of a railway guide, no book is quite free from aesthetic considerations.”

I’d be foolish to say there is no egoism in my work. I am human and often preoccupied with myself. I make these for pleasure. I feel good making them. I also have a “desire to share an experience which one feels is valuable and ought not to be missed.” The work I like best (mine and others) is work I can tell people put time into. I don’t want to see the first draft upon the page and call it finished.

I also recently got a new camera to play with. I’ve been taking so many test images. Here is my best below: holly snapped off a bush from a large house next to the park.

Continuation and Cessation

With the advent of a new year, I think most people are drawn to self-reflection. The last month approaching and passing the New Year, that’s shown up for me in reflection on continuation and cessation. I am wondering what to keep, and what to put away.

For instance, I have decided to continue working on my textiles project in which I take loose fabrics and use them to construct props and sets. I love textiles, perhaps this is endemic considering I grew up in a place where textiles have been mass-produced. It could also be that as a little girl, I loved dressing up and hoped one day to be a fashion designer. I still have no idea how to work my sewing machine and my hand stitching looks like a child’s, but I can work a camera and I can buy raw cuts of fabric to play with.

I’ve also decided to continue pursuing a creative career. I’m sending out graduate applications to film schools and I’m working with the biggest client I’ve ever had. 2020 and 2021 were hard for me, creatively. I nearly sold my cameras and gave up. It’s hard to feel any use in photographing people when a pandemic is isolating us all from one another (for good reason). Luckily I decided it was time to try my hand at something new: video. I realized that all along this way the way I had been headed. It was like being hit by a train that you don't hear coming down the tracks until it is too late. The train hasn’t ever stopped speeding towards me. I only just now recognized the horn.

This textiles project has become a way for me to stay in practice, to keep my mind sharp when work is slow (or, to be honest, nonexistent). I’ve been creating small videos on each shoot too, to stay sharp and experiment in that medium. But I’m not expecting anything out of it, this is a project where I’ve promised myself that I don’t need to create a huge end goal. If there is a goal, it’s simply to work at it because I enjoy it, and once I’m no longer enjoying it, I’ll stop.

As for things I’ve decided to cease? There are many. Most importantly, I’ve decided to cease guilting myself for not working as much as I think I should be. As someone with bipolar disorder, my “shoulds“ can often be unreasonable. Generally, especially in a state of hypo-mania, I can get done twice as much in half the time with a reckless attitude towards my own well-being. It’s for my survival that I am training myself to stop listening to shoulds and start thinking about what I can do. Easier said than done, right? There’s an entire litany of self-help websites, articles, and books all speaking to the same thing. What I’m trying to do is listen to my needs though. When I go on runs and part of me starts to hurt, I slow down. I’m slowly translating this into the rest of my life, without waiting until I hurt.

I’ve also decided to be wiser with my expectations. I think it’s natural to expect things, and in some cases it’s good. I don’t put my hand on the stove because I expect it to burn. However, I can be unfair in my expectations, at least the ones I put on other people. If I expect my partner to hurt me, how do I give them a chance to love me? If I expect my friends to always have time for me, how is that giving them a chance to be themselves, the selves that I love so much? If I expect my family to let me down, how can I forgive them? I’m learning, sometimes the hard way, that’s it’s best to cease expectation and live grateful that I can experience surprise or disappointment at all. I like to be kept on my toes. I don’t always want the answer.

I’m excited to see what this year brings, to me and to you.